Training: Cambridge University and LAMDA.
Theatre includes: For the NT: Asha in Behind the Beautiful Forevers, Mary in King James Bible: Gospel According to John, Abirami in Nightwatchman (nominated for a Whatsonstage Award for Best Solo Performance). Other theatre: Marianne in Constellations (Singapore Repertory Theatre), Wani in The Djinns of Eidgah, Aisha in Rough Cuts, Behind the Image, Sabrina in Shades (Royal Court), Karelma in The Big Fellah, Aneesa in Mixed Up North (Out of Joint), Samina/Maysoon/Faiza in Sisters (Sheffield Crucible), Sarika in On the Beach/Resilience (Bush), Nosh in Sweet Cider (Arcola), Bashemath in Not the End of the World (Bristol Old Vic), Kastoori in Indenture (Talawa Theatre Company), ensemble in The Scarecrow and His Servant (Southwark Playhouse), Usma in Iraq Innit (Paines Plough at the Trafalgar Studios) and Vagina Monologues (Mark Goucher Limited).
Film includes: Attack the Block.
Television includes: Hank Zipzer, Holby City, Silk, DCI Banks, Lewis, Hens, Bring the House Down, Monday Monday, Apparitions, Never Better, EastEnders, Primeval, Commander III, Soundproof, Heavenly Father, NY-LON, 20 Things to Do Before You’re 30, Doctors, Red Cap and The Last Detective.
Radio includes: Whose Sari Now, Legacy and Westway.
Stephanie is a Trustee and founder member of Act for Change campaigning for representative diversity in the industry, a Trustee for the National Student Drama Festival, a columnist for The Stage and on the Board of Chichester Festival Theatre.
Playwriting includes: Dragonflies at SIFA 2017 and adaptations of Wuthering Heights (Ambassadors) and Mohsin Hamid’s The Reluctant Fundamentalist (Finborough and The Yard). Her first play, Sisters, reopened the Sheffield Crucible Studio in 2010.
www.stephstreet.com I @streetstephanie